ततस्तास्त्वरिताः सख्यः परितापोपहारकान्
Then those friends, quickly, brought remedies for her distress.
व्यपैति न यदा मूर्छा तत्तच्छीतोपचारतः 4.2.67.
When the fainting did not subside with those cooling treatments,
तदुक्षणात्क्षणादेव तन्मूर्छा विरराम ह
From that sprinkling, in just a moment, her fainting ceased.
श्रद्धावतां स्वभक्तानामुपसर्गे महत्यपि
Even in great affliction, for those devoted with faith,
ये व्याधयोपि दुःसाध्या बहिरंतः शरीरगाः
Even those diseases, difficult to cure, that arise both externally and internally within the body,
सेवितं येन सततं भगवच्चरणोदकम्
by whomsoever the water from the feet of the Blessed One is constantly served,
आधिभौतिकतापं च तापं वाप्याधिदैविकम्
the suffering caused by material afflictions, or even the pain arising from divine sources,
व्यपेतसंज्वरा चाथ गंधर्वतनया मुने
are dispelled, O sage, and likewise the fever of the Gandharva maidens.
यूयं कुंठितसामर्थ्याः कुतो वस्ताः कलाः क्व वा
You, whose power is diminished—where are your abilities, and where are your arts?
मत्प्रियप्राप्तये सम्यगुपायोऽस्ति मयेक्षितः
For attaining my favor, there is a proper means which I have indicated.
शशिलेखेभिलषितप्राप्त्यै लेखांस्त्वमालिख
For the attainment desired by the moon’s rays, you should inscribe the marks.
चित्रगे चित्रलेखे त्वं पातालतलशायिनः 4.2.67.
O Citralekha, among the paintings, you are the one who lies in the realm of the underworld.
अथाकण्येति ताः सख्यस्तच्चातुर्यं प्रवर्ण्य च
Then, Akanya and her companions, having described that cleverness,
निर्यत्कौमारलक्ष्मीकान्पुंवत्त्व श्रीसमावृतान्
those who had shed the marks of maidenhood and were adorned with the splendor of manhood,
सर्वान्सुरनिकायान्सा व्यलोकत शुभेक्षणा
she, with auspicious gaze, observed all the groups of gods.
ततो मध्यमलोकस्थान्मुनिराजकुमारकान्
Then, those princes and sages dwelling in the middle world,
अथ रत्नावली बाला कर्णाभ्यर्णविलोचना
And Ratnavali, the young maiden, with eyes near her ears,
दितिजान्दनुजान्वीक्ष्य सा गंधर्वी कुमारकान्
having seen the sons of Diti and the Danavas, that Gandharva maiden,
सुधाकर करस्पृष्टाप्यतिदूनांगयष्टिका
Even when touched by the hand of Sudhakara, her slender form was exceedingly frail.
भोगिनस्तान्विलोक्यापि चित्रंचित्रगतानथ
Having observed those serpents, and also those who were in the realm of paintings,
यूनः प्रत्येकमद्राक्षीदशेषाञ्छेष वंशजान्
She saw each of the youths, all the remaining descendants of their line.
पुलीकानंत कर्कोट भद्रसंतानगानपि 4.2.67.
Pulika, Ananta, Karkota, and the sons of Bhadrasantana as well.
एतस्यावगतं सर्वं देशनामान्वयादिकम् 4.2.67.
All the teachings, lineages, and related matters of this have been understood.
कोसौ मत्स्वामिनो नाम रत्नेशस्य महेशितुः 4.2.67.
Who indeed is this master of mine, called Ratneśa, the great lord?
हृदि रत्नेश्वरं लिंगं यस्य सम्यग्विजृंभते ।। 4.2.67.
In whose heart the liṅga of Ratneśvara fully manifests.
अकारण सखा कोसौ प्रांतरे समुपस्थितः 4.2.67.
Who is this friend, present here without cause, from a distant place?
आरभ्य बाल्यमप्येषा लिंगं रत्नेश्वराभिधम् 4.2.67.
From childhood itself, this liṅga named Ratneśvara has been present.
निशम्येति स पुण्यात्मा नागराजकुमारकः 4.2.67.
Hearing this, that virtuous prince, son of the king of the city, responded.
एषा मंदाकिनी नाम दीर्घिका पुण्यतोयभूः 4.2.67.
This is the sacred pond named Mandākinī, the abode of holy waters.
वृद्धकालेश्वरस्यैष प्रासादो रत्ननिर्मितः ।। । प्रतिदर्शं वसेद्यत्र रात्रौ चंद्रः सतारकः ।। 4.2.67.
This is the temple of Vṛddhakāleśvara, made of jewels; every night the moon with stars is reflected there.