शिवस्वभाव एवैकश्चिंत्यते निरुपाधिकः यथा शैवमनोवृत्तिर्महायोग इहोच्यते
When only the essential nature of Shiva, without any attributes, is contemplated, then the movement of the mind is said to be Shaiva, and this is called the great yoga here.
दृष्टे तथानुश्रविके विरक्तं विषये मनः यस्य तस्याधिकारोस्ति योगे नान्यस्य कस्यचित्
Only the one whose mind is detached from both what is seen and what is heard has the qualification for yoga, and no one else.
विषयद्वयदोषाणां गुणानामीश्वरस्य च दर्शनादेव सततं विरक्तं जायते मनः
By constantly perceiving the faults of both objects of sense and their qualities, as well as of the Lord, the mind becomes detached.
अष्टांगो वा षडंगो वा सर्वयोगः समासतः यमश्च नियमश्चैव स्वस्तिकाद्यं तथासनम्
All yoga, in summary, is either eightfold or sixfold: yama, niyama, and posture beginning with svastika, and so on.
प्राणायामः प्रत्याहारो धारणा ध्यानमेव च समाधिरिति योगांगान्यष्टावुक्तानि सूरिभिः
Breath control, withdrawal of the senses, concentration, meditation, and absorption—these eight limbs of yoga are declared by the wise.
आसनं प्राणसंरोधः प्रत्याहारोथ धारणा ध्यानं समाधिर्योगस्य षडंगानि समासतः
Posture, restraint of breath, withdrawal of the senses, concentration, meditation, and absorption—these are, in summary, the six limbs of yoga.
पृथग्लक्षणमेतेषां शिवशास्त्रे समीरितम् शिवागमेषु चान्येषु विशेषात्कामिकादिषु
The distinct characteristics of these have been taught in the Shiva scriptures, and also in other Shaiva texts, especially in the Kamika and similar Agamas.
योगशास्त्रेष्वपि तथा पुराणेष्वपि केषु च अहिंसा सत्यमस्तेयं ब्रह्मचर्यापरिग्रहः यम इत्युच्यते सद्भिः पञ्चावयवयोगतः
Likewise, in the yoga scriptures and in some Purāṇas, non-violence, truthfulness, non-stealing, celibacy, and non-possessiveness—these five, in their respective forms, are called yama by the virtuous.
शौचं तुष्टिस्तपश्चैव जपः प्रणिधिरेव च इति पञ्चप्रभेदस्स्यान्नियमः स्वांशभेदतः
Purity, contentment, austerity, recitation, and devotion—these five, in their own divisions, are said to be niyama.
स्वस्तिकं पद्ममध्येंदुं वीरं योगं प्रसाधितम् पर्यंकं च यथेष्टं च प्रोक्तमासनमष्टधा
Svastika, lotus, half-moon, hero, accomplished yoga, paryanka, and as desired—these eight are said to be the postures.
प्राणः स्वदेहजो वायुस्तस्यायामो निरोधनम् तद्रोचकं पूरकं च कुंभकं च त्रिधोच्यते
The breath, which arises in one's own body, its regulation is called restraint. That is said to be of three kinds: shining (rocaka), filling (puraka), and retention (kumbhaka).
नासिकापुटमंगुल्या पीड्यैकमपरेण तु औदरं रेचयेद्वायुं तथायं रेचकः स्मृतः
By pressing one nostril with a finger, and then exhaling the air from the belly through the other, this is known as recaka (exhalation).
बाह्येन मरुता देहं दृतिवत्परिपूरयेत् नासापुटेनापरेण पूरणात्पूरकं मतम्
With the external breath, one should fill the body firmly; through the other nostril, after the inhalation, what is called pūraka is accomplished.
न मुंचति न गृह्णाति वायुमंतर्बहिः स्थितम् संपूर्णं कुंभवत्तिष्ठेदचलः स तु कुंभक
He neither releases nor draws in the air, which remains within and without; staying full like a pot, unmoving—this is called kumbhaka.
रेचकाद्यं त्रयमिदं न द्रुतं न विलंबितम् तद्यतः क्रमयोगेन त्वभ्यसेद्योगसाधकः
This triad, beginning with recaka, should be neither hasty nor delayed; thus, by gradual practice, the yogin should train.
रेचकादिषु योभ्यासो नाडीशोधनपूर्वकः स्वेच्छोत्क्रमणपर्यंतः प्रोक्तो योगानुशासने
Practice in recaka and the others is preceded by purification of the channels, and continues up to the limit of one's own will, as taught in the discipline of yoga.
कन्यकादिक्रमवशात्प्राणायामनिरोधनम् तच्चतुर्धोपदिष्टं स्यान्मात्रागुणविभागतः
According to the sequence beginning with kanyaka, the restraint of breath is taught in four ways, distinguished by the measure and quality.
कन्यकस्तु चतुर्धा स्यात्स च द्वादशमात्रकः मध्यमस्तु द्विरुद्धातश्चतुर्विंशतिमात्रकः
Kanyaka is fourfold and consists of twelve measures; madhyama is twice restrained and consists of twenty-four measures.
उत्तमस्तु त्रिरुद्धातः षड्विंशन्मात्रकः परः स्वेदकंपादिजनकः प्राणायामस्तदुत्तरः
Uttama is restrained three times and consists of twenty-six measures; the highest, following that, is the prāṇāyāma which produces sweating, trembling, and other effects.
आनंदोद्भवरोमांचनेत्राश्रूणां विमोचनम् जल्पभ्रमणमूर्छाद्यं जायते योगिनः परम्
Joy, hair standing on end, release of tears from the eyes, babbling, dizziness, fainting, and other states arise in the supreme yogin.
जानुं प्रदक्षिणीकृत्य न द्रुतं न विलंबितम् अंगुलीस्फोटनं कुर्यात्सा मात्रेति प्रकीर्तिता
Circling the knee, neither quickly nor slowly, one should snap the fingers; this is called the measure.
मात्राक्रमेण विज्ञेयाश्चोद्वातक्रमयोगतः नाडीविशुद्धिपूर्वं तु प्राणायामं समाचरेत्
The measures should be understood in sequence, and by the method of upward movement; after purification of the channels, one should properly practice prāṇāyāma.
अगर्भश्च सगर्भश्च प्राणायामो द्विधा स्मृतः जपं ध्यानं विनागर्भः सगर्भस्तत्समन्वयात्
Prāṇāyāma is remembered as twofold: with seed and without seed; without seed is without recitation or meditation, with seed is accompanied by them.
अगर्भाद्गर्भसंयुक्तः प्राणायामःशताधिकः तस्मात्सगर्भं कुर्वन्ति योगिनः प्राणसंयमम्
Prāṇāyāma with seed is more than a hundred times greater than without seed; therefore, yogins practice control of breath with seed.
प्राणो ऽपानः समानश्च ह्युदानो व्यान एव च
Prāṇa, apāna, samāna, udāna, and vyāna are indeed the five.
नागः कूर्मश्च कृकलो देवदत्तो धनंजयः प्रयाणं कुरुते यस्मात्तस्मात्प्राणो ऽभिधीयते
Nāga, kūrma, kṛkala, devadatta, and dhanaṃjaya—because they cause movement, prāṇa is so named.
अवाङ्नयत्यपानाख्यो यदाहारादि भुज्यते व्यानो व्यानशयत्यंगान्यशेषाणि विवर्धयन्
When food and the like are consumed, apāna, so called, moves downward; vyāna spreads through all the limbs, increasing them.
उद्वेजयति मर्माणीत्युदानो वायुरीरितः समं नयति सर्वांगं समानस्तेन गीयते
Udāna is the wind that agitates the vital points; samāna brings balance to the whole body, thus it is so named.
उद्गारे नाग आख्यातः कूर्म उन्मीलने स्थितः कृकलः क्षवथौ ज्ञेयो देवदत्तो विजृंभणे
Nāga is known in belching; kūrma is present in opening the eyes; kṛkala is recognized in sneezing; devadatta in yawning.
न जहाति मृतं चापि सर्वव्यापी धनंजयः क्रमेणाभ्यस्यमानोयं प्राणायामप्रमाणवान्
Dhanaṃjaya does not depart even from the dead and pervades all; practiced in sequence, this prāṇāyāma is immeasurable.