अस्याः षष्ठादिपञ्चार्णा दैत्यास्यादाद्य ईरितः
Of her, the five syllables beginning with the sixth are said to arise from the demon’s mouth.
तृतीयः पञ्चविंशार्णः प्रोक्ता मन्त्रा इति क्रमात्
The third, the twenty-fifth syllable, is declared to be the mantra in sequence.
विकीर्णकुन्तलां नग्रां रक्तामानन्दविग्रहाम्
With disheveled hair, mountain-like, red, embodying bliss.
तत्समानायुधाकारवर्णा देव्यास्तु वा
Her weapons, forms, and colors are the same as those of the goddess.
इत्येषा कुरुकुल्लान्ते प्रोक्ता चन्द्रावलीस्वयम्
Thus, at the end of Kurukullā, Candrāvalī herself is described.
शुचिः स्वेनाथ शून्यं स्यान्नभसाभ्ररसिस्थिरा
Pure by her own nature, then the void, stable with the essence of sky and cloud.
इलसायुतो ऽग्निरेतानि पुनरंबुमरुद्युतम्
Endowed with the essence of earth and fire, then again with water and wind.
अम्बुदाहौ मरुद्युक्तौ हंसो ऽथ धरया नभः
The swan, joined with wind in water and ether, then with the stream and sky.
तोयं चरेण तत्पूर्वं तोयमग्नियुतं ततः
Water, with movement, comes first; then water united with fire.
दाहो धरा स्वसहरितस्तोयं चरसमन्वितम्
Burning, earth with her own green, water accompanied by movement.
ज्याख्येन युक्ता सचरो रभश्चैतस्य पूर्वकम्
Joined with the bowstring and movement, and Rabhas is prior to this.
शुभोभ्रता चरेणापि हंसः स्वेन सपूर्वकम्
The swan, with auspicious cloud and movement, along with its own and prior forms.
रसश्चरेण तत्पूर्वमग्निना च रसो युतः
The essence, moving, is first united with fire and with essence.
प्राणः स्वेन युतः पश्चाद्धृदयस्वयुतं रसः
Afterwards, the breath is joined with its own, and the essence with the heart's own.
गोत्राभरायुता स्पर्शो नादयुक्तो जवीयुतः
Touch is joined with the weight of the lineage, with sound, and with swiftness.
शून्यं मरुत्स्वसहितं हृद्दाहेनांबुना चरः
Emptiness, together with the winds, with the burning of the heart and water, moves.
ज्याग्निः स्वसंयुतो हंसस्तथांबु मरुता सह
The bowstring-fire, united with itself, and the swan, likewise with water and wind.
प्राणदाहौ धरायुक्तौ पुनस्तौ वह्निना वियत्
The breath and burning, joined with earth, and again those two with fire and space.
पूर्वद्विरुक्तवर्णौ च शुद्धिः स्वेन युतस्तथा
The two previously spoken syllables, and purity, are likewise joined with their own.
युतिर्नादवती पश्चाद्धृदंबुमरुता युतम्
The union, possessing sound, afterwards is joined with heart, water, and wind.
वाराही पञ्चमी विश्वविजया भद्रकौमुदी
Vārāhī, the fifth, the conqueror of the universe, and Bhadrakaumudī.
अङ्गानि कुर्यान्मन्त्रार्णैः सप्तभिषड्भिरेव च
One should form the limbs with seven or six mantra-syllables.
त्रिकोणवृत्तषट्कोणवृत्तद्वयसमन्वितम्
Endowed with a triangle, a circle, a hexagon, and a pair of circles.
ध्यायेच्च देवीं कीलास्यां ततः काञ्चनसन्निभाम्
One should meditate on the goddess at the center, then shining like gold.
त्रिनेत्रामष्टहस्तां च चक्रं शङ्खमथाङ्कुशम्
With three eyes, eight arms, holding a discus, a conch, and an elephant goad.
दधानां गरुडस्कन्धे सुखासीनां विचिन्तयेत्
Imagining her seated comfortably on Garuḍa's shoulder, holding them.
प्रयोगेषु स्मरेद्देवीं सिंहस्थां व्याघ्रगामपि
In rituals, one should remember the goddess seated on a lion, or riding a tiger.
श्यामामप्यरुणां पीतामसितांभोजविग्रहाम्
Also dark, red, yellow, or with a form like a black lotus.
अरुणां पञ्चमीं वश्ये पीतां स्तंभनके स्मरेत्
One should remember the red fifth for attraction, and the yellow for immobilization.
धूम्रामुच्चाटने ध्यायेत्साधको द्विजसत्तमः
For expulsion, the accomplished one, best of twice-born, should meditate on the smoky form.