स्वल्पायुषो बहु (लघु) च्छिन्ना दीर्घाछिन्ना महायुषम् 65.
Short or broken lines indicate little life; long and unbroken lines indicate great longevity.
कनिष्ठिकानामिका वा यस्या न स्पृशते महीम् 65.
If a woman's little finger or ring finger does not touch the ground—
ऊर्द्ध्वं द्वाभ्यां पिण्डिकाभ्यां जङ्घे चातिशिरालके 65.
If the calves are excessively veined and rise above the two shanks—
वामावर्त्तं निम्नमल्पं दुः खितानां च गुह्यकम् 65.
A leftward, sunken, or small private part belongs to women who suffer.
पृथुलया प्रचण्डाश्च स्त्रियः स्युर्नात्र संशयः 65.
Women who have thick and fierce ones—of this there is no doubt.
स्मिते कूपे गण्डयोश्च सा ध्रुवं व्यभिचारिणी 65.
If there are dimples on the cheeks when smiling, she is certainly unfaithful.
उदरे श्वशुरं हन्ति पतिं हन्ति स्फिचोर्द्वयोः 65.
In the abdomen, she kills her father-in-law; in the region above the thighs, she kills her husband.
स्तनौ सरोमावशुभौ कर्णौ च विषमौ तथा 65.
On the breasts, hairless and inauspicious; likewise, the ears are uneven.
चौर्य्याय कृष्णमांसाश्च दीर्घा भुर्त्तुश्च मृत्यवे 65.
For theft, those with dark flesh and elongated stomachs are destined for death.
शिरालैर्विषमैः शुष्कैर्वित्तहीना भवन्ति हि 65.
With veins that are uneven and dry, they become deprived of wealth.
स्त्रीषु दोषा विरूपासु पत्राकारो गुणास्ततः 65.
Among women, faults appear in those who are deformed; the qualities are determined by the shape of the leaves.
निर्लक्षणा शुभा स्याच्च चक्राङ्कितशिलार्चनात् 66.
She who is without marks becomes auspicious by worshipping a stone marked with a discus.
त्रिचक्रोऽसावच्युतः स्याच्चतुश्चक्रश्चतुर्भुजः 66.
The one with three discs is Acyuta; the one with four discs is four-armed.
पुरुषोत्तमश्चाष्टमः स्यान्नवव्यूहो दशात्मकः 66.
The eighth is Purushottama; the ninth is composed of nine arrangements; the tenth is tenfold.
अत ऊर्ध्वमनन्तः स्याच्चक्रे रेखादिकैः क्रमात् 66.
Beyond this, Ananta is found, marked by lines and other features in order.
शालग्रामशिला यत्र देवो द्वारवतीभवः 66.
Where the Shalagrama stone is, the deity is of Dvaravati origin.
शालग्रामो द्वारका च नैमिषं पुष्करं गया 66.
Shalagrama, Dvaraka, Naimisha, Pushkara, and Gaya,
गङ्गा च नर्मदा चैव चन्द्रभागा सरस्वती 66.
Ganga, Narmada, Chandrabhaga, and Sarasvati,
सर्वपापहराण्येव भुक्तमुक्तिप्रदानि वै 66.
All these indeed remove every sin and grant both enjoyment and liberation.
अङ्गिराः श्रीमुखो भावः युवा धाता तथैव च 66.
Angiras, Shri-mukha, Bhava, Yuva, and Dhata likewise,
चित्रभानुः स्वभानुश्च तारणः पार्थिवो व्ययः 66.
Chitrabhanu, Svabhanu, Tarana, Parthiva, and Vyaya,
नन्दनो विजयश्चैव जयो मन्मथदुर्मुखौ 66.
Nandana, Vijaya, Jaya, Manmatha, and Durmukha,
शुभकृच्छोभनः क्रोधी विश्वावमुपराभवौ 66.
Shubhakrit, Shobhana, Krodhi, Vishvava, and Uparabhava,
परिधावी प्रमादी च आनन्दो राक्षसो नलः 66.
Paridhavi, Pramadi, Ananda, Rakshasa, and Nala.
दुन्दुभी रुधिरोद्गारी रक्ताक्षः क्रोधनोऽक्षयः 66.
Dundubhi, the one who utters cries in battle, red-eyed, wrathful, and inexhaustible.
कालं वक्ष्यामि संसिद्ध्यै रुद्र पञ्चस्वरोदयात् 66.
I will speak of time for accomplishment, O Rudra, after the rise of the five sounds.
आ ई ऊ ऐ औ स्वरांश्च लिखेत्पञ्चाग्निकोष्ठके 66.
One should write the vowels ā, ī, ū, ai, au in the five fire chambers.
तिथी एकाग्निकोष्ठेषु त्रयो राजाथ सा (मा) जयाः 66.
The lunar days, in the single fire chambers, are three: the king, and the victorious ones.
गुरुशुक्रौ च मन्दश्च रविचन्द्रौ यथोदितम् 66.
Jupiter, Venus, and Saturn, as well as the Sun and Moon, as previously described.
पञ्चपञ्चान्यत्र भानि चैत्राद्य उदयस्तथा 66.
Elsewhere, five sets of five lights, and likewise the rising from Caitra onward.