The wise are instructed to carefully consider the placement of exits in the four directions when planning a palace. Each exit should be thoughtfully designed, taking into account a specific portion of the structure, so that the layout is harmonious and precise. This general guidance outlines the essential characteristics for constructing a palace. O Shaunaka, the perimeter of the palace must be measured to be twice the length all around, without exception. The summit, or highest point, should rise to twice the height of the palace’s leg, as prescribed. Having described the exit, the remaining features should follow the earlier instructions. The tip of the palace should resemble an altar, and the doorway must be sized as one-eighth of the relevant measure. At the center of the pedestal, just as with the door, the inner portion should be hollow. The leg of the palace should match the breadth, and the summit should be twice as high as the leg. These are the measurements for the pavilion, and now another form will be described. With these measurements established, the outer portion of the structure is determined. The inner chamber should be crafted to be twice as large, with its size measured by the rim. The proportions and origins of palaces will now be explained. There are five principal types of palaces, including Triviṣṭapa, each with its own unique origin. One is circular, another elongated, and the fifth is octagonal. From these fundamental elements, forty distinct forms arise. Among them are Bhadraka, Sarvata, Bhadra, Rucaka, and Nandana. The quadrangular forms are known as Vairāja. Additionally, there are vimānas, Brahma-temples, and mansions. Other forms include the bracelet, the drum, the lotus, and the great lotus. There is the guvā tree form, and another circular form originating from Kailāsa. Further varieties include Bhūmukha, Bhūdhara, Śrījaya, and Pṛthivīdhara. There are also forms named after the thunderbolt, the discus, Muṣṭika, and Vabhrusaṃjñita. Vijaya, white in color, arises from Triviṣṭipa. Wherever the palace may be built, its pavilion form should be properly established. The sequence beginning with the triangle brings the attainment of sons, women, and prosperity. The pavilion is multiplied by equal numbers, and the measuring cord is used accordingly. Windows may be included, or omitted, as desired. In some cases, the pavilion should be twice the size of the wall. Sometimes, irregular lines appear due to disproportionate measurements. Meru, the finest palace, is distinguished by its hundred peaks. The forms and measurements of palaces are varied, both distinct and indistinct. Temples arise in many forms, according to the differences in their coverings. Numerous temples are described for the special worship of the deities. These temples should be constructed for the deities, following the ancient measurements. They should feature moon-chambers and be adorned with bheri-towers. A theater hall is also to be built, located near the entrance. Principal doorkeepers should be fashioned and placed separately at each entrance. A covered terrace should be created, furnished with fruits, flowers, and water. Such a house is made for Vāsudeva, Lord of all and enjoyer of all. Now, the installation of all the deities will be briefly explained.