गुरुस्त्रिवारमाचारं कथयेत्कलशोद्भव
The guru should explain the procedure three times, O one born from the pot.
लक्ष्मीनारायणौ वाणीधातारौ गिरिजाशिवौ
Lakshmi and Narayana, Vani and Dhata, Girija and Shiva—
इति सर्वं मया प्रोक्तं समासेन घटोद्भव
Thus, all has been spoken by me in summary, O pot-born one.
एतावदवधानेन सर्वज्ञो मतिमान्भवेत्
By attending to this alone, one becomes all-knowing and wise.
अभ्युक्ष्य विधिवन्मन्त्रैर्गुरूक्तक्रमयोगतः
Having sprinkled (purified) according to rule with mantras, in the manner taught by the guru—
प्राङ्मुखो दृढमाबध्य पद्मासनमनन्यधीः
Facing east, firmly seated in the lotus posture, with mind unwavering—
द्विरुक्तबालबीजानि मध्याद्यङ्गुलिषु क्रमात्
He should place the twice-recited Bala seed-syllables in the middle fingers, in order—
अग्निप्राकारपर्यन्तं कुर्यात्स्वास्त्रेण मन्त्रवित्
He should, with his own weapon-mantra, form a circle of fire as a protective boundary.
व्याप कन्यासमारोप्य व्यापयन्वाग्भवादिभिः
Having placed the maiden (kanya), he should pervade her with the Vagbhava and other seed-syllables.
नाभौ हृदि भ्रुवोर्मध्ये बालाबीजान्यथ न्यसेत्
He should then place the Bala seed-syllables at the navel, heart, and between the eyebrows.
बालाबीजानि तान्येव द्विरावृत्त्याथ विन्यसेत्
Those same Bala seed-syllables should be placed again, repeating twice.
नाभ्यादावथ विन्यस्य न्यसेदथ पदद्वये
Having placed them at the navel and so forth, he should then place them at the two feet.
नवासनानि ब्रह्माणं विष्णुं रुद्रं तथेश्वरम्
Place the seats of Brahmā, Viṣṇu, Rudra, and Īśvara.
विद्यासनं च विन्यस्य हृदये दर्शयेत्ततः
Then, establishing the seat of knowledge, one should visualize it in the heart.
वायुमापूर्य हुं हुं हुं त्विति प्राबीध्य कुण्डलीम् वाराही च तथेन्द्राणी चामुण्डा चैव सप्तमी
Filling with air, uttering 'huṃ huṃ huṃ', one should awaken the Kuṇḍalinī; likewise, Vārāhī, Indrāṇī, Cāmuṇḍā, and Saptamī.
भावयित्वा पुनस्तं च स्वस्थाने विनिवेश्य च मुद्रादेवीर्न्यसेदष्टावेष्वेव द्वे च ते पुनः
After meditating thus, placing it again in its own place, one should assign the goddess mudrās—eight in all, and then two more.
समस्तमूर्ध्नि दोर्मूलमध्याग्रेषु यथाक्रमम् सर्वविद्राविणी पश्चात्सर्वार्थाकर्षणी तथा
On the crown of the head, at the base, in the middle, and at the tip of the arms, in order; then, Sarvavidrāviṇī at the back, and likewise Sarvārthākarṣaṇī.
हृदयादौ च विन्यस्य कुङ्कुमं न्यासमाचरेत् महाङ्कुशी च सर्वाद्या सर्वाद्या खेचरी तथा
Beginning from the heart, one should perform the application of kuṅkuma; Mahāṅkuśī and Sarvādyā, and likewise Khecarī.
आद्यबीजद्वयं न्यस्य ह्यन्त्यबीजं न्यसेदिति योनिमुद्रेति विज्ञेयास्तत्र चक्रेश्वरीं न्यसेत्
Placing the two initial seed-syllables, then the final seed-syllable—this is known as the Yoni Mudrā; there, one should install Cakreśvarī.
वर्गाष्टकं न्यसेन्मूले नाभौ हृदयकण्ठयोः ततः कलानां नित्यानां क्रमात्षोडशकं न्यसेत्
One should assign the eight groups of letters at the root, navel, heart, and throat; then, in order, the sixteen eternal phases.
कक्षकट्यंसवामांसकटिहृत्सु च विन्यसेत् अहङ्काराकर्षिणी च शब्दाकर्षणरूपिणी
One should place them at the armpits, hips, shoulders, left side, waist, and heart; also Ahaṅkārākarṣiṇī and Śabdākarṣaṇarūpiṇī.
ऋषिस्तु शब्दब्रह्मस्याच्छन्दो भूतलिपिर्मता रसाकर्षणरूपा च गन्धाकर्षणरूपिणी
The seer is of the sound-brahman; the meter is called Bhūtalipi; also Rasākarṣaṇarūpā and Gandhākarṣaṇarūpiṇī.
अक्षस्रक्पुस्तके चोर्ध्वे पुष्पसायककार्मुके स्मृत्याकर्षणरूपा च हृदाकर्षणरूपिणी
Above, on the rosary and book, and on the bow and flower-arrow; also Smṛtyākarṣaṇarūpā and Hṛdākarṣaṇarūpiṇī.
रक्षणाक्षमयीं मानां वहन्ती कण्ठदेशतः
Carrying the measure of protection and forgiveness at the region of the throat.
दिव्याङ्गरागसंभिन्नमणिकुण्डलमण्डिताम् दक्षहस्त तलस्याथ पृष्ठं तत्स्फिक्च जानुनी
Adorned with divine cosmetics and mingled with jeweled earrings, then on the palm and back of the right hand, on the hips, and on both knees.
साक्षाल्लिपिमयीं ध्यायेद्भैरवीं भक्तवत्सलाम् चक्रेशीं न्यस्य चक्रं च समर्च्य व्याप्य वर्ष्मणि
One should meditate on Bhairavī, composed directly of script, who is fond of devotees; installing Cakreśī, and worshipping the cakra, pervading the body.
एवं ध्यात्वा न्यसेद्भूयो भूतलेप्यक्षरान्क्रमात् शङ्खजत्रूरुजङ्घासु वामे तु प्रतिलोमतः
Having meditated thus, one should again assign the letters of the earth-script in order, on the left side—on the conch, collarbone, thigh, and shin, in reverse order.
शषसान्मूर्ध्नि संन्यस्य स्वरानेष्वेव विन्यसेत् अनङ्गमदना पश्चादनङ्गमदनातुरा
Placing the six letters on the head, and the vowels on these same places; then Anaṅgamadanā, followed by Anaṅgamadanāturā.
अङ्गुलीमूलमणिबन्धयोर्देष्णोश्च पादयोः ततो ऽनङ्गाङ्कुशा पश्चादनङ्गाधारमालिनी
At the base of the fingers, wrists, big toes, and feet; then Anaṅgāṅkuśā, followed by Anaṅgādhāramālinī.
शषसान्मूलहृन्मूर्धस्वेतान्वा लादिकान्न्य सेत् शक्तिदेवीर्न्यसेत्सर्वसंक्षोभिण्यादिका अथ
Placing the six letters at the base, heart, and head, and then the vowels from 'a' onward; then one should assign the Śakti goddesses, beginning with Sarvasaṃkṣobhiṇī.